Stacy Hardy: The Empty Plot

The empty lot gapes, yawns and quivers. It exhales dust and sucks the blue out of the sky. It draws her to it, an emptiness that calls out, that whispers and jeers. A wide mouth, that says, come, that dares her.  She has no business with the empty plot. It is a nothing place, a no place, not a place but a gaping, an emptiness that is yet to be filled, something still to come.

It has no address at present, nothing that sets it apart in the neighbourhood. There are so many. Empty stretches of land cleared for some future construction never to come, suspended in the eternal yawning present of oblivion. Plots that have stood so long that they have become part of the landscape, vast parks where rubbish accumulates, some partially developed, deep holes sunk in the earth, now filled with murky water that collects debris, the pokes of steel foundations casting dancing shadows on the surface like the spines of poisonous fish; ruinous scaffold of catastrophic geometries that shade rows of empty buildings, concrete structures looming like theme park wreckage, dark and sullen, windows dust coated, shattered in places, doors padlocked against squatters that never come. The streets that hem them, nearly deserted, monuments to some moment of false hope, a future that dims with each day, grows wary, listless, the air dirty with stalled development.

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Alexander Booth: Scheggia

From “The Little Light that Escaped”

Bryan Sansivero, from “Abandoned Lives”. Source: rosajhberlandartconsultant.com

But I remember.

The scent of sun and ash, a taste of resin, blame. Summers across slanting floors and smiles like sickles for thoughts of flight. Abandoned streets and a feeling of sinking. Makeshift holes not far from the sea; closer in, the cicadas’ hum the whirl straight up to twilight’s hem, brittle wings which brought no breeze while all the rest were busy drinking, swallowing the searing-eyed, searing-tongued prophets and seers, and jaundicing into the yellow silence of the years. The tonal monotony of the land.

Days passing, just out of the reach of the sun. Days passing, in a basement room, watching the arc of the sun through a small square of sky. Tides of no turning. Blocks of light mosaiced while the slow days tasted of mineral, copper, rust.

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