Robin Moger: Ahmad Yamani’s The Scream

Michael Donovan. Source: studiodonovan.com

My sister screamed in the night

Take me to my brother’s house

And there she screamed that same night

No no! Take me back to the house of my father

They took her back

And when she made to scream again

The night had passed

And the men had gone to work.

.

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Robin Moger: A New Poem by Mohab Nasr

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René Magritte, The Lovers. Paris, 1928. Source: moma.org

Life eternal might not be ours

but there’s what’s worse

that we are really forever

Music through earphones

casts no shadow

does not say to you when you must stop

nor through the earphones

signals No

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Robin Moger: Wadih Saadeh’s Dead Moments

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Gueorgui Pinkhassov, Bluewater Commercial Center, London, 1999. Source: magnumphotos.com

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Suddenly the sunbeam disappeared. I believe a cloud is passing over the house. Sunbeams disappear for two reasons alone: clouds hide them or it is night. And being morning, most probably a cloud is passing.

Maybe soon it will rain and I will be able to watch the rain from the window. Life is so beautiful: that circumstances allowing one can watch the rain. Mine is a water sign and I imagine that now and then a planet up in space melts and flows down in front of me. Happy notion. I pick it up and approach the window. I open the pane and look out at the cars, the arid asphalt, the weary labourers. Why do these labourers get tired? I used to get tired myself sometimes and the sweat would flow, but then I turned my back on it and for years I rested. Sweat of the brow is hateful; shameful in fact. Disgusting: rising from sleep to make oneself sweat. A car goes by leaving a light cloud of dust behind it. A cat asleep on the corner opens then shuts its eyes. I close the window and slowly make my way back.

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Robin Moger Does Wadih Saadeh

Horses at the door

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Eugène Delacroix, “Two Horses Fighting in a Stormy Landscape”, 1828. Source: clarkart.edu

Must this go on forever?

The wind

perpetual gesture

and the hand that slips

from me unnoticed.

.

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Robin Moger Does Ahmad Yamani

Tomorrow the village market day

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By Youssef Rakha. Leukerbad, Switzerland

I will go to the spring

where you slip away to fill your jar

everyone at the market and me by the tree

we maintain twenty metres no more no less

and this before you catch on a stone or two

and before a foot slips and a jar slips

leaving me ahead

on our way to the spring again

by twenty metres and a slight smile.

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Robin Moger Does Sargon Boulus

Meeting with an Arab poet in exile

Cedars of Lebanon, American Colony (Jerusalem). Photo Dept, Lebanon, 1900-20. Source: loc.gov

Cedars of Lebanon, American Colony (Jerusalem). Photo Dept, Lebanon, 1900-20. Source: loc.gov

At that outcast and lonely hour,

that hour of night when choices narrow

until each absence takes on meaning as a cloud of smoke,

between the voices of the drunken patrons in that small restaurant

and the wash of the still sea that beats, below, against its rocky shore,

at that outcast hour of night, that lonely hour,

he talked to me of the legendary poets of exile

and how he’d known them in his youth, he

who still followed the same path,

and from an ancient notebook

which bore on its cover the cedar of Lebanon

began to read aloud his long two-columned poems.

.

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Noor Naga: Boy Does Not Like To Share

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Federico Giovannini, from “You and I”. Source: lensculture.com

Knowing a father’s belt has snap-

ping metal teeth, one does not

have to think of kneeling.

One kneels. One kneels

to please before the word is

heard or the leather tongue

slides drily through the loops.

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