Magda Magdy: Female Patriarchy

Per Munther

Per Munther

City of red brick and infinite dishes,

Bureaucratic temples turned hotels

And hyperventilating masses in the Metro:

Claustrophobic Qahera,

Garbage capital,

Oppressive sharmouta

Who contains me:

You swallow us whole

In your Nile-stretched koss,

By your blind servitude

To the Rayess,

Eating our flesh,

Spitting our bones.

.

Qahera: Cairo
Sharmouta: whore
Koss: pussy
Rayess: president, chief

Youssef Rakha: In the Name of the Father

My father did not live to see 9/11. I don’t know what he would have thought of the so called war on terror, let alone the equally so called Arab Spring. Though not particularly old, he was frail and muddled by the time he died—flattened out by decades of depression, isolation and inactivity.

I think of him now because the trajectory of his views seems relevant to 25 Jan. From a Marxist intellectual in the fifties and sixties—a member of a group that could transcend its class function to effect change, he became a liberal democrat in the eighties and nineties—an individual who had a common-sense opinion on current affairs regardless of his beliefs. In retrospect I think the reason for this change of heart had to do with a certain kind of honesty or transparency: at some point he must have realized that to be proactive was to be caught in a lie (the lie of independent nation building, of the dictatorship of the fellahin, of Islamic renaissance…), a lie for which not even an unhappy life was worth risking.

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Azazeel: Disillusionment

The Quixote Code
Remembering Borges, Youssef Rakha courts sedition

He did not want to compose another Quixote – which is easy – but the Quixote itself. Needless to say, he never contemplated a mechanical transcription of the original… – Jorge Luis Borges, Pierre Menard, Author of the Quixote
As a literary exercise – or novel – to imagine a diary composed 1,500 years ago: what could be more challenging to a contemporary writer? Few would think to accomplish the task as literally as Pierre Menard, the author imagined by Jorge Luis Borges in his first short story, who rewrites Cervantes’ Don Quixote, word for word, without ever reading it. An author about to produce a 1,500-year-old fictional diary would certainly affirm the kind of human connection that makes characters in books interesting regardless of when the books were written and when the characters lived, but they might also be curious as to how different the world was so long ago, and the ways in which its difference necessarily affected the people they deal with. In the fifth century, for example, the earth was still flat, there was no such thing as penicillin, demons (whether Christian or pagan) had far more physical presence, and slavery was the norm.

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