Ulayya bint al-Mahdi’s Epigram by Yasmine Seale

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Gustav Klimt,  Adele Bloch-Bauer I, 1907. Source: Wikipedia

To love two people is to have it 

coming: body nailed to beams,

dismemberment.

But loving one is like observing

religion.

I held out until fever 

broke me. 

How long can grass

brave fire?

If I did not have hope

that my heart’s master’s

heart might bend to mine, 

I would be stranded, no

closer to gate than home.

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55: Yasmine, Robin, Mohieddin

Poem 55 from a correspondence in translations of Ibn Arabi’s Tarjuman al-Ashwaq, between Yasmine Seale and Robin Moger. The first two translations are made independently and each subsequent rendering written after the other’s previous version has been sent and seen.

Khusraw discovers Shirin bathing in a pool from a 16th-century Khamsa by Nizami. Source: Wikipedia


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Y(i)

 

Distance, and desire ruins me. To meet

is no relief. Come or go, desire hardly cares.

 

Meeting him, unreckoned

things happen. In place of healing,

another ache of longing.

 

Because to meet him is to see

a person whose beauty grows

ever more abundant, proud.

 

All I can do is match my love’s ascent

To his loveliness on its measured scale.

 

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Robin Moger: From Ibn Arabi’s Turjuman al Ashwaq

I wish I knew

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Claudia Gerhard. Source: strkng.com

I wish I knew they knew what heart

they held. That my heart knew

what pass they tread. You wonder

Are they safe?

Or perished?

.

The enamoured are

in love adrift

ensnared.

 

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This is Robin Moger’s version of the first poem in Turjuman al Ashwaq

The Brimming Sea: More Ibn Arabi from Robin Moger

The Prophet Ilyas Rescues a Prince, from the Hamzanama, India, 1567-1572. Source: britishmuseum.org

Then the secret was there in my heart

and I was gone and my star set away

my heart by my lord’s secret changed and I

absented from the body’s feeling frame

wherefrom therewith I came

upon a ship of my high resolution

disposed therein my fortress thoughts

through a dark gulf of what I knew

unthought

.

and on my ship my longing blew

as winds, and so it passed

an arrow’s passage through the sea

and across that sea Approach I cut

till I perceived unsecret what

was without name. You!

.

I said, by my heart seen!

I loose an arrow at your love

for you are dear to me

and you are my festivity

the end of all my passion and my prize.

.

Ibn Arabi’s original poem can be found here.

Anita Nair: Letters to a Man Never Met

ITALY, Fashion story in the mood of Egon Schiele. Katalina.

Ferdinando Scianna, Italy. Source: magnumphotos.com

Murad: Desired

One day, just another still, warm day in February, there was you… Sometimes I wonder why there wasn’t something to suggest the birthing pains of this love: a camel-shaped eyelash, a rainbow above my roof, frogs raining, a tree bursting into yellow bloom overnight, a snatch of a song. But there was nothing. Not even a twitching eyelid or a skipped beat of the pulse. And yet, now when I think of the time before you, all I think of is this grey and metallic sheen of the strangled day and the death-like silence of the night.

Last Sunday the neighbours brought me a glass of something tall, cold and sweet. They had a name for it: thandai.

Did I know there was opium in it? I did. Why didn’t I say no? Probably because I wanted to know where it would lead me. Opium. Melded into milk and almonds and chilled so the sweet creaminess could slide down my throat while a foot soldier in black crept through my veins to the silly point of my brain.

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Julian Gallo: Pieces

Benoit Paillé, from "Rainbow Gatherings". Source: lensculture.com

Benoit Paillé, from “Rainbow Gatherings”. Source: lensculture.com

New York City — The Recent Past

There’s that “something” in the look she is giving you, something in her gaze which tells you that she thinks you’re interesting. You pretend not to notice it, of course, try to maintain your “cool detachment” but you aren’t sure why you’re doing it. You don’t really like to talk about yourself too much but she asked about your writing and writing is, at least to you, essentially the “core” of who you are. How could you not talk about it?

“What do you write? Would I know anything?”

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