George R. Sole: Ubar

An Introduction to Medieval Travelogues: A comparison of Ibn Fadlan, Ibn Jubayr and Ibn Fudayl

Jean-Léon Gérôme, Arnaut and his dog, 19th century. Source: Wikipedia

The act of travelling is as compelling now as it was in the past. It is one of the most powerful catalysts for change in all spheres of human society and possibly more so with Islamic civilisation, which has travel as one of its central themes. The Quran commands the faithful to perform the Hajj, here the pilgrim endures the hardships of travel in order to connect with God. But it also encourages travel in order for man to see what has become of previous nations; to take heed as it were. Whilst this author is no Mohammedan, I do believe in the latter proposition and Medieval travellers are of particular interest to me.

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Antonio Denti: Notes on War in Times of Peace

Generations

I’d rather fight a war tomorrow than think my son might have to do it one day.

This sentence, which I know to be true, does not belong to me. It does not emanate from me. It inhabits me because I am part of this living planet. It originates in the deepest strata of life, in the mechanisms that regulate the way life is handed down from being to being, from generation to generation, across time. It does not make me any more courageous than the moderately frightened – or more heroic than the moderately selfish – man that I am.

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Youssef Rakha: The Importance of Being Lars

Nymphomaniac’s Message for the Arab Spring

 

As an Arab you’re probably expecting me to lay into Nymphomaniac. It’s a film that must seem, if not offensive to my cultural sensibility, then irritatingly irrelevant to the poverty, underdevelopment, and upheaval that surround my life.

In most cases dropping the word “white” in the same paragraph as “Islam’s respect for women” is all it would take to slam Lars von Trier in this context. It would be a politically correct slur, too. I could even draw on Edward Said’s hallowed legacy to point out that the only time non-Europeans appear in over four hours of action, they’re portrayed as dumb sex tools. Not only self-indulgent and obscene but also Orientalist, etc..

But the truth is I actively delighted in Nymphomaniac, and I didn’t have to stop being an Arab for that to happen. To be accurate I should say I would’ve welcomed a von Trier film anyway, but this one showed up when it was needed—and it duly exploded on arrival.

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