Imogen Lambert: “They tweeted martyrdom with lattes”


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By Youssef Rakha


Tower of Babel

And the Lord said, Behold, the people is one, and they have all one language; and this they begin to do; and now nothing will be restrained from them, which they have imagined…

Night bites my shoulder. I turn to you, through a nylon window

To a state of limbo, there on a map

Under rivers of paper

We never drown, gazing on bridges

Night hugged my waist, like my mother, wailing

Where are our parents?

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Youssef Rakha: The Nude and the Martyr

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By Youssef Rakha

Some time in February, the literary (and intellectual) Generation of the Nineties started coming up in intellectual conversations about the Arab Spring. Some people theorised that, by stressing individual freedom and breaking with their overtly politicised forerunners, apolitical agents of subversion under Mubarak had involuntarily paved the way for precisely the kind of uprising said forerunners had spent whole lives prophesying and pushing for, to no avail.

Politicised intellectuals of past generations had always believed in grand narratives. That is why their collective message (anti-imperialist or socialist), evidently no less divorced from the People than that of the younger rebels and aesthetes who didn’t give two damns about the liberation of Jerusalem or the dictatorship of the proletariat, remained repressive and didactic; while allowing themselves to be co-opted and neutralised, they struggled or pretended to struggle in vain.

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