Carol Sansour: Qadaa wa Qadar

The Palestinians today are drowned in a world of predestination. It looks and feels like the fight to defend their issues is not a choice they have made, but rather a call they have followed blindly. Those who have chosen not to follow that call as it is, or heard it differently, consciously or not, are considered out of tune (not to say labeled with the most horrid qualities).

There is no doubt that Palestinians have the absolute right to fight for their dignity and freedom (what is the meaning of life without dignity and freedom?) But to take to the streets without a real awareness of your purpose or a clear strategy of what it would take to achieve it is suicide.

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Youssef Rakha: The Importance of Being Lars

Nymphomaniac’s Message for the Arab Spring

 

As an Arab you’re probably expecting me to lay into Nymphomaniac. It’s a film that must seem, if not offensive to my cultural sensibility, then irritatingly irrelevant to the poverty, underdevelopment, and upheaval that surround my life.

In most cases dropping the word “white” in the same paragraph as “Islam’s respect for women” is all it would take to slam Lars von Trier in this context. It would be a politically correct slur, too. I could even draw on Edward Said’s hallowed legacy to point out that the only time non-Europeans appear in over four hours of action, they’re portrayed as dumb sex tools. Not only self-indulgent and obscene but also Orientalist, etc..

But the truth is I actively delighted in Nymphomaniac, and I didn’t have to stop being an Arab for that to happen. To be accurate I should say I would’ve welcomed a von Trier film anyway, but this one showed up when it was needed—and it duly exploded on arrival.

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