Bola Opaleke: Songs and Dances as a Cosmopolitan Village

Hamed Nada (1924-1990), Untitled, 1963. Source: bonhams.com

In the endlessness of life’s cyclical wheel, in the dangerous neutrality of man’s mortal effulgence, and or the cowardly barricade of the conflictual rhythms of his existence, he often misappropriates songs without adequately supplying the right dances to them.

“Don’t sing a song,” he said. “If you cannot find the perfect dance for it.”

Those were the exact words by my father (translated from Yoruba) in 1991 after I’d told him I wanted to join the Nigerian Army so one day I could be a military president. Years later, I would still, in my head, shuffle the judgmental finality of his words, probe at its proverbial complexity and perplexity, and ultimately resign from that variegated prodding of the wheel that will never cease to turn. A song is a song is a song, and a dance is a dance is a dance. Period!

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