Christmas Gift: Youssef Rakha’s Arab Porn *Remixed*

Youssef Rakha, Mosaic. A stock photo of a woman in niqab is made up of versions of Aliaa Magda Elmahdy’s iconic picture, her act of protest of 2011


Human behaviour flows from three main sources: desire, emotion, and knowledge.
– Plato, BC 427–347

Always I have and will
Scatter god and gold to the four winds.
When we meet, I delight in what the Book forbids.
And flee what is allowed.
– Abu Nuwas, AD 756–813

The moment a man questions the meaning and value of life, he is sick, since objectively neither has any existence; by asking this question one is merely admitting to a store of unsatisfied libido to which something else must have happened, a kind of fermentation leading to sadness and depression.
– Sigmund Freud, 1937

The revolution is for the sake of life, not death.
― Herbert Marcuse, 1977

Eros is an issue of boundaries.
– Anne Carson, 1986

Scene–1

“Hi, I’m writing a piece on Arab porn and would love to get your input…”

“Why would I be relevant to Arab porn?”

“Porn meaning explicit web content, or sexual self expression in general.”

“I see. Well, okay. I’d like to read what you’re writing but I don’t want to contribute. Not because I’m against the idea. I just don’t feel like revealing anything at this point, or I don’t have anything to reveal. I don’t want to explain myself or my sexuality or whatever.”

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𝐹𝑜𝓊𝓃𝒹 On Literary Glory

Of course, if you live in a big city, they will also be wanting to know and ad­mire all the impostors who have won the same celebrity with quite mediocre works extravagantly overpraised. So you may not be impressed by the company you’re keeping. And if you live out in the provinces, people will very likely have no notion of literary glory at all. Writing? I could have done that perfectly well myself, if I’d had time, if I’d wanted to turn my mind to it. You’ll get a lot of this. Only a handful of people will really appreciate what you’ve done, so that, in general, it’s hard to think of a commodity that comes at a higher price and brings fewer benefits than literary glory.

In response, you’ll withdraw into solitude. You’ll try to believe that the work itself is sufficient reward for your efforts. It isn’t. Then, since we all have to have something to hope for in the future, you’ll start to seek consolation in the notion that posterity will finally give you the true recognition you deserve. I’ll live on in the minds of genera­tions to come, you tell yourself. But honestly, there’s no guarantee of this. Why should those who come after us be any better, or any more receptive and perceptive, than our contemporaries? On the contrary, the world will most likely have moved on and people won’t have any time for you at all.

— from Giuseppe Parini’s advice to a young writer by Giacomo Leopardi

1824

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