Atef Khaled’s Photos with “The Tower Mirage” by Yasser Abellatif

 

 

She lives on the twelfth floor

where there lives too

her wise fleet fingers

her grey hair

her sixty years.

 

The tower has six lifts

three to the right of the lobby

and marble like ivory

gleaming damply

with daylight dwindling

till shadows swallow

stealing footfalls

and three lifts to the left.

 

In wait are doormen.

He makes before them

a veil, a veil

behind them

and slips within

with all of twenty-eight years.

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Youssef Rakha: Cairo Glass (Ongoing)

“Now, if you’ll only attend, Kitty, and not talk so much, I’ll tell you all my ideas about Looking-glass House. First, there’s the room you can see through the glass—that’s just the same as our drawing room, only the things go the other way. I can see all of it when I get upon a chair—all but the bit behind the fireplace. Oh! I do so wish I could see that bit! I want so much to know whether they’ve a fire in the winter: you never can tell, you know, unless our fire smokes, and then smoke comes up in that room too—but that may be only pretence, just to make it look as if they had a fire. Well then, the books are something like our books, only the words go the wrong way; I know that, because I’ve held up one of our books to the glass, and then they hold up one in the other room.

“How would you like to live in Looking-glass House, Kitty? I wonder if they’d give you milk in there? Perhaps Looking-glass milk isn’t good to drink—But oh, Kitty! now we come to the passage. You can just see a little peep of the passage in Looking-glass House, if you leave the door of our drawing-room wide open: and it’s very like our passage as far as you can see, only you know it may be quite different on beyond. Oh, Kitty! how nice it would be if we could only get through into Looking-glass House! I’m sure it’s got, oh! such beautiful things in it! Let’s pretend there’s a way of getting through into it, somehow, Kitty. Let’s pretend the glass has got all soft like gauze, so that we can get through. Why, it’s turning into a sort of mist now, I declare! It’ll be easy enough to get through—” She was up on the chimney-piece while she said this, though she hardly knew how she had got there. And certainly the glass was beginning to melt away, just like a bright silvery mist.

Text from Through the Looking Glass by Lewis Carroll

Alienation: A New Chapbook by Mahmoud Almunirawi

Screen Shot 2018-11-22 at 2.16.35 AM

Click the image to access the PDF

Sometimes I think about praying

Maybe in congregation with other Muslims

Afterwards, I would call my mum and tell her:

People liked my voice when I recited the Qur’an

This happens again and again

But I haven’t done it a single time since I left home

I did not even call and ask her how she is…

Mahmoud Almunirawi defines this PDF as an album of overexposed images of architecture and poems “written during my 5 years in Sweden. Together,” he writes, “they form an abstract biography of life events.” тнє ѕυℓтαη’ѕ ѕєαℓ, which posted some of these poems in the original Arabic, was not involved in editing the English text, which was translated from Arabic by Slimen Zougari.

Youssef Rakha: Where the Persians Perished

The men sent to attack the Ammonians, started from Thebes, having guides with them, and may be clearly traced as far as the city Oasis, which is inhabited by Samians, said to be of the tribe Aeschrionia. The place is distant from Thebes seven days’ journey across the sand, and is called in our tongue “the Island of the Blessed.” Thus far the army is known to have made its way; but thenceforth nothing is to be heard of them, except what the Ammonians, and those who get their knowledge from them, report. It is certain they neither reached the Ammonians, nor even came back to Egypt.

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Mahmoud Almunirawi: Nine Images from an Ongoing Project

So. Avelaval. My leaves have drifted from me. All. But one clings still. I’ll bear it on me. To remind me of. Lff! So soft this morning, ours. Yes. Carry me along, taddy, like you done through the toy fair! If I seen him bearing down on me now under whitespread wings like he’d come from Arkangels, I sink I’d die down over his feet, humbly dumbly, only to washup. Yes, tid. There’s where. First. We pass through grass behush the bush to. Whish! A gull. Gulls. Far calls. Coming, far! End here. Us then. Finn, again! Take. Bussoftlhee, mememormee! Till thousendsthee. Lps. The keys to. Given! A way a lone a last a loved a long the—riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.

Text from Finnegans Wake by James Joyce

Youssef Rakha: Office Diptych

Silver Box, Girl in Office

I work on the ninth floor of a cramped office tower in downtown Cairo, where like everyone else I seem to spend an inordinate amount of time in the elevators. Waiting and watching.

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Saudamini Deo: My Heart Doesn’t Want

Rajasthan in four cities

1909 Imperial Gazetteer of India map of Rajputana. Source: Wikipedia

 

1-JODHPUR

My great-grandfather, a feudal landowner in West Bengal, had a troubled marriage with my great-grandmother, who finally left him in 1927 and came to live with her mother in Jaisalmer. Her mother, my great-great-grandmother was one of the few female doctors in the country at the time and was employed with the royal family of Jaisalmer. My grandfather grew up in the royal household but left home one unsettled morning. He left just a note: my heart doesn’t want.

He wanted to be a classical musician. Failure meant that my mother and uncle grew up in dire poverty in the dirty back alleys of the blue city. No one knows what happened to my great-grandfather or the house or the land. I have never seen a photograph, only an image narrated to me by a distant relative: a man on horseback with leather boots and the eyes of a snake.

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