Fake Painting: An iPhoneography Poem

The Angel (Your picture)

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Sleep now, as though you’d never in your life occupied a frame,
As though your hands had never set even this picture in a frame,
As though they had not arranged cuttings that float

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In an inch of water which you made a sea.
Not your crooked leg among the runners
Nor your teeth clamped on the shoulder that carries you,

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Nor a victim, naturally: You’ve never in your life been a victim.
Sleep, despising those you call “coherent”,

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Believing that your feet tread a path you forged.
Don’t for one moment ask about the handful of dust

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You are wont to throw in the faces of those that call you to account,
Staggered by the abuse; how vulgar it was.

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Forget that your air is not your own, that you breathe
With an army of respirators, that you

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Are like the moneymen: every step calculated.
You are a beast in your strength; you’re in demand…

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Your contemporaries really are spiteful: you are resplendent with tragedy
A pioneering presence on every screen.

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Sleep and hug, like the downy pillow, the certainty
That you’re the genius, alone in a society of retards.
Pay no mind to the frame you put around your picture

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Nor that once you thought it ugly. Pay no mind
To the fact your picture was ugly, ugly
Enough—once you’d framed it—to burn.

*

Trans. qisasukhra.wordpress.com

الإسلام والديمقراطية

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العلمانية هي الحل

دُعيتُ إلى المساهمة بشيء عن الثقافة والإسلاميين – بعد وصولهم إلى الحكم، كما قيل، ديمقراطياً – فوجدتُ عندي كلمتين أقولهما في هذا الشأن: إن هناك العالم، وهناك الهوية؛ وإنهما – فيما يفرضه الطرح “الإسلامي” سلفياً كان أو جهادياً أو إخوانياً أو حتى إيرانياً شيعياً – متناقضان. كمسلمين بالولادة (وبغض النظر عن اقتناعنا بالعقيدة)، حقنا أن نعيش في العالم بهويتنا؛ أن تكون لنا حقوق الآخرين وما لهم من رفاه دونما نضطر إلى إسقاط تلك الهوية. والحاصل أن حقنا مسلوب – بدرجة أو أخرى – منذ انتصرت هوية أخرى؛ إلى هنا نتفق. لكن هل يوجد مخرج من هذا المأزق التاريخي؟

المشكل أن الهوية الأخرى هذه، بانتصارها، إنما صاغت العالم الذي نشارك أصحابها العيش بشروطه، شئنا أم أبينا: شروطهم. ولم يعد في هويتنا عملياً سوى اسمها، إضافة إلى بعض المميزات المعنوية المذمومة إجمالاً، كالطائفية والطغيان والهوس الجنسي والاستهانة بالحياة. فهل يسعى الإسلام السياسي إلى إعادة صياغة العالم كلياً بما يبرر أو ينشر هذه الصفات؟ لأنه بالتأكيد لا يسعى إلى مناهضة الرأسمالية العالمية ولا المساهمة في الحضارة كما نعرفها حتى نحن في العصر الذي نعيش فيه… فهل يسعى إلى فرض هوية لا يميزها سوى أنها، في مساحة منفصلة عن كل أسباب الحياة بما فيها الأخلاقي منها، غير متسقة مع العصر – وهل هناك من يعتقد أن هذا ممكن؟ – أم أن الإسلام السياسي، بينما يكتفي بقمع حريات من شأنها أن تجعلنا أنداداً لمن صاغوا عالمنا (العقلانية والعلم والإبداع، المواطنة وحقوق الإنسان وتداول أو تجاوز السلطة)… أم أن الإسلام السياسي، أقول – بينما يكتفي بقمع الحريات – يختزل فكرتنا عن الهوية في طقوس ومظاهر وخطابات لا يفصلها عن الحياة العصرية ذاتها سوى أنها تعتذر عن الصفات سالفة الذكر وتتخذ من الهزيمة التاريخية سبباً للوجود أو العداء؟

الشريعة الإسلامية لازالت لم تحرم الرق ولا التجارة في أجساد النساء بدعوى تعدد الزوجات، ولا حتى قطع أيدي ورؤوس المذنبين أو رجمهم حتى الموت (مجرد أمثلة)؛ البيعة ليست انتخاباً والشورى ليست ديمقراطية، كما أن الإلحاد ليس كفراً بالضبط ولا غير المسلمين من سكان البلاد ذات الأغلبية الإسلامية أهل ذمة… لا أظن التصور “الإسلامي” لحياتنا يمكن أن يتسع للثقافة حتى في تقاطعها مع الإسلام بمعناه التاريخي أو الحضاري، ولا أظن المضطلعين بالثقافة على استعداد لممارستها في ظل ذلك التصور. لكن – هكذا أعود فأتساءل – ما دخل الإسلام بالسياسة المعاصرة أصلاً، دعك من الثقافة المعاصرة على خلفية سياسية؟

أيها المتجهمون فوق حيطان المزابل
المستعيضون عن الأخلاق بلحية
الخائفون من وجوه النساء
تعبئّون الله في أجولة
وتهيلونه على الأحياء
أنا العلماني الكافر
أنا المرتد العميل
سأبقى إلى آخر جسد تدفنونه
أقض مضاجعكم بالخيال

Restaurant review from July 2004

Undulation

On the psychosis of extravagant ripples

photo: Youssef Rakha
photo: Youssef Rakha

Informed psychiatric opinion would have it that the extrovert-introvert conundrum is really all about acousticophobia. In a public setting, place the subject at progressively closer distances to blaring speakers and observe signs of latent or externalised fear of noise. The more restive the response, the more introverted your case, and the more alarming should be the diagnosis.

Now I had actually taken the trouble to book a table, inadvertently making it clear to the maitre de Pool at the swish swish swish Four Seasons Hotel that I was interested in the belly dancing performance. We were consequently placed at the closest possible distance to the speakers, with the result that my obviously diseased psyche got the better of me, almost.

I say “almost” because the adrenaline, coloured by the flowing, chic, marbly, gold studded hotel interior and the mercifully non-Muzak music wafting through the corridors, then momentarily exacerbated by the somewhat over-emphatic attentiveness of the staff, now gradually took the form of mild, drawn out undulations that seemed to reverberate with the muted rippling manoeuvres of the man-made, bright lilac body of water which, flanked by similarly billowing arches against the artificial magnificence of one side of the building, dominated the prospect.

I initially envied those who had found a niche inside the segmented Bedouin-style tent which extended along one side of the pool as far as the eye could see. But the regular pool seating, besides affording a better view of the promised performance, seemed particularly comfortable to me. A candle burned inside a minimalist, opaque holder and the majestic full moon could only rarefy the romance as the staff, impeccably decked out in lilac beach shirts, hovered endlessly.

And the volume wasn’t exceptionally high to begin with, truth be told. So even a case as chronic as I could settle into reasonably relaxed conversation as my companion and I nibbled on an exquisite selection of breads and sipped mineral water. It has to be said at this point that the menu, rich as it is in the mezzah department, is really largely restricted to regular pool fare, with a limited selection of salads, burgers and grills, and even fewer Italian and French wines to choose from.

The food arrived minutes before the greatest adrenaline surge of the evening, when the volume was abruptly pumped up to presage the arrival of Nesma — a level of amplification that was to persist for as long as she kept on performing. So primordial an image of brazenly undulating flesh will inevitably upstage grilled calamari, however elaborately salted and seasoned. I tried to lose myself in the just-right portion of grouper, which, along with the absorbingly aromatic “Oriental rice”, dominated my oblong plate, but the movements kept insinuating an interminably awaited relief, the beat usurping every last sign of the patriarchal paradigm in my body.

All in all the food turned out to be almost as satisfactory as the belly dancer, notwithstanding the subject’s divided self. My companion’s rather more plentiful platter of grilled meat proved excellent, and the succulent brownies with vanilla ice cream, their chocolaty precision punctuated by shredded hazelnuts, were worth every last piaster of the bill.

Nesma would insist on coming dangerously close to my seat, however, and my income being what it is, I doubt if I will be able to keep my promise to the friendliest of the waiters, who followed us all the way to the exit, murmuring, repeatedly, “Hope to see you again soon.”

The Pool Bar and Grill, 4th floor of the Four Seasons Hotel at the Cairo First Residence, 35 Giza Road, tel. 02 573 1212, open daily 11am-6pm and 7pm-12.30pm, with live music every day and belly dancing performance from 9pm-10pm on Thursdays and Fridays. Dinner for two, sans alcohol, came to LE408, a not unexpected if still rather excessive plight.

Undulation

On the psychosis of extravagant ripples

photo: Youssef Rakha
photo: Youssef Rakha

Informed psychiatric opinion would have it that the extrovert-introvert conundrum is really all about acousticophobia. In a public setting, place the subject at progressively closer distances to blaring speakers and observe signs of latent or externalised fear of noise. The more restive the response, the more introverted your case, and the more alarming should be the diagnosis.

Now I had actually taken the trouble to book a table, inadvertently making it clear to the maitre de Pool at the swish swish swish Four Seasons Hotel that I was interested in the belly dancing performance. We were consequently placed at the closest possible distance to the speakers, with the result that my obviously diseased psyche got the better of me, almost.

I say “almost” because the adrenaline, coloured by the flowing, chic, marbly, gold studded hotel interior and the mercifully non-Muzak music wafting through the corridors, then momentarily exacerbated by the somewhat over-emphatic attentiveness of the staff, now gradually took the form of mild, drawn out undulations that seemed to reverberate with the muted rippling manoeuvres of the man-made, bright lilac body of water which, flanked by similarly billowing arches against the artificial magnificence of one side of the building, dominated the prospect.

I initially envied those who had found a niche inside the segmented Bedouin-style tent which extended along one side of the pool as far as the eye could see. But the regular pool seating, besides affording a better view of the promised performance, seemed particularly comfortable to me. A candle burned inside a minimalist, opaque holder and the majestic full moon could only rarefy the romance as the staff, impeccably decked out in lilac beach shirts, hovered endlessly.

And the volume wasn’t exceptionally high to begin with, truth be told. So even a case as chronic as I could settle into reasonably relaxed conversation as my companion and I nibbled on an exquisite selection of breads and sipped mineral water. It has to be said at this point that the menu, rich as it is in the mezzah department, is really largely restricted to regular pool fare, with a limited selection of salads, burgers and grills, and even fewer Italian and French wines to choose from.

The food arrived minutes before the greatest adrenaline surge of the evening, when the volume was abruptly pumped up to presage the arrival of Nesma — a level of amplification that was to persist for as long as she kept on performing. So primordial an image of brazenly undulating flesh will inevitably upstage grilled calamari, however elaborately salted and seasoned. I tried to lose myself in the just-right portion of grouper, which, along with the absorbingly aromatic “Oriental rice”, dominated my oblong plate, but the movements kept insinuating an interminably awaited relief, the beat usurping every last sign of the patriarchal paradigm in my body.

All in all the food turned out to be almost as satisfactory as the belly dancer, notwithstanding the subject’s divided self. My companion’s rather more plentiful platter of grilled meat proved excellent, and the succulent brownies with vanilla ice cream, their chocolaty precision punctuated by shredded hazelnuts, were worth every last piaster of the bill.

Nesma would insist on coming dangerously close to my seat, however, and my income being what it is, I doubt if I will be able to keep my promise to the friendliest of the waiters, who followed us all the way to the exit, murmuring, repeatedly, “Hope to see you again soon.”

The Pool Bar and Grill, 4th floor of the Four Seasons Hotel at the Cairo First Residence, 35 Giza Road, tel. 02 573 1212, open daily 11am-6pm and 7pm-12.30pm, with live music every day and belly dancing performance from 9pm-10pm on Thursdays and Fridays. Dinner for two, sans alcohol, came to LE408, a not unexpected if still rather excessive plight.

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