Prize and Prejudice: When an Egyptian Novelist Wins Qatara

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“Those who don’t like Katara can start a prize like it in Egypt.”

Thus the Egyptian novelist Ibrahim Abdel-Meguid, one of five finalists to receive US $60,000 each in the first round of the Katara Prize for the Arabic Novel, speaking to the television anchor Gaber Al-Qarmouti live last week.

A glib remark, for oil-rich Qatar’s foray into supporting literature is worth US $750,000 in total. A mere pittance this may be in the grander scheme of Qatari spending. But were it available to grant-making institutions in Egypt, the sum would be enough for 100 financially viable awards.

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Sujith Nambiar: Mumbai-Doha-Mumbai

A user experience/product designer by trade, I am a self-taught contemporary Indian artist and photographer, actively seeking multi-dimensional conditions and emotions through my photographs. Initially photography was a newfound medium into which to channel my creative energy alongside painting. I have been engaged in street photography since 2013, capturing moments from the streets without any predefined purpose or set agenda.

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Her damask cheek: two visions of Syria

Today is the second anniversary of the outbreak of the Syrian revolution on 15 March, 2011

Damask Rose by Vangelis (Blade Runner soundtrack)

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Early one morning in the summer of 2011, a good few months after the ouster of Hosny Mubarak, I received an international phone call. It was an unknown number that began with 00963. I could tell this was the country code of some Arab state, though I didn’t know which. After some hesitation I picked up, and I was greeted by a thin voice speaking with inflections that sounded vaguely Iraqi. “Remember Abu Dhabi,” the voice said eventually, with a warm chuckle. “This is Thaer.”

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Three Short Pieces

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“We never used to have sectarian tension”
Posted on October 20, 2011

That being, of course, a lie. And lies, however well meaning, just may be the crux of the problem.

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