Prize and Prejudice: When an Egyptian Novelist Wins Qatara


“Those who don’t like Katara can start a prize like it in Egypt.”

Thus the Egyptian novelist Ibrahim Abdel-Meguid, one of five finalists to receive US $60,000 each in the first round of the Katara Prize for the Arabic Novel, speaking to the television anchor Gaber Al-Qarmouti live last week.

A glib remark, for oil-rich Qatar’s foray into supporting literature is worth US $750,000 in total. A mere pittance this may be in the grander scheme of Qatari spending. But were it available to grant-making institutions in Egypt, the sum would be enough for 100 financially viable awards.

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Sujith Nambiar: Mumbai-Doha-Mumbai

A user experience/product designer by trade, I am a self-taught contemporary Indian artist and photographer, actively seeking multi-dimensional conditions and emotions through my photographs. Initially photography was a newfound medium into which to channel my creative energy alongside painting. I have been engaged in street photography since 2013, capturing moments from the streets without any predefined purpose or set agenda.

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Her damask cheek: two visions of Syria

Today is the second anniversary of the outbreak of the Syrian revolution on 15 March, 2011

Damask Rose by Vangelis (Blade Runner soundtrack)


Early one morning in the summer of 2011, a good few months after the ouster of Hosny Mubarak, I received an international phone call. It was an unknown number that began with 00963. I could tell this was the country code of some Arab state, though I didn’t know which. After some hesitation I picked up, and I was greeted by a thin voice speaking with inflections that sounded vaguely Iraqi. “Remember Abu Dhabi,” the voice said eventually, with a warm chuckle. “This is Thaer.”

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Three Short Pieces


“We never used to have sectarian tension”
Posted on October 20, 2011

That being, of course, a lie. And lies, however well meaning, just may be the crux of the problem.

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