Sleep-deprivation is like being high. I know because I was high for a long time, then I started sleeping irregularly. It’s supposed to have something to do with lack of sugar in the brain, which is also the theory of what LSD does to consciousness. Things grow fluid and dreamlike, but at the same time there is a paranoid awareness of motion and a heaviness in the heart. Color and sound become a lot sharper, and time feels totally irrelevant. Normal speed is fast but fast can pass for normal. A moment lasts for days, days can fit in a moment. Talking and laughing are far more involving, especially laughing. The grotesque animal implicit in each person comes out, sometimes messing up the conversation. And then it’s as if you have no body. As in the best music, an uncanny lightness balances the overriding melancholy. There is joy in flying when you don’t need to move. All through this, what’s more, every passing emotion turns into an epic experience.
Yesterday evening, while I sat at this desk dreaming up cultural content for the pages I am in charge of, Twitter began turning up news of protesters being fired at and pelted with stones – but not run over by armored vehicles, not beaten repeatedly after they were dead, nor thrown into the Nile as bloodied corpses. Not yet. The location was outside the Radio and Television Union Building, along a stretch of the Nile known as Maspero.
This fact (of protesters being fired upon) along with some of the slogans suggested that the march under attack was Coptic. I in fact knew that most of those tweeting from the location of the shootings were Muslim, but every Coptic protest since 11 February had included Muslims. Ironically, no Arabic term has been coined that might translate CNN’s far more civil “pro-Coptic,” which is also the more accurate by far.
Towards the end of 2009, I completed my first novel, whose theme is contemporary Muslim identity in Egypt and, by fantastical extension, the vision of a possible khilafa or caliphate. I was searching for both an alternative to nationhood and a positive perspective on religious identity as a form of civilisation compatible with the post-Enlightenment world. The closest historical equivalent I could come up with, aside from Muhammad Ali Pasha’s abortive attempt at Ottoman-style Arab empire (which never claimed to be a caliphate as such), was the original model, starting from the reign of Sultan-Caliph Mahmoud II in 1808. I was searching for Islam as a post-, not pre-nationalist political identity, and the caliphate as an alternative to the postcolonial republic, with Mahmoud and his sons’ heterodox approach to the Sublime State and their pan-Ottoman modernising efforts forming the basis of that conception. Such modernism seemed utterly unlike the racist, missionary madness of European empire. It was, alas, too little too late.
A long time ago — it must have been 2000 — I was briefly in trouble at work for apparently belittling the achievement of Hezbollah against Israel in an article I had written. The censure came from a left-wing, thoroughly secular editor; and I wasn’t particularly distressed to have to redraft the paragraphs in question. Perhaps, I thought, I had let my Islamophobia get the better of me. (I should point out that, though steadfastly agnostic, I am still Muslim, as eclectically proud of my heritage as any post-Enlightenment individual can reasonably be; so my self-acknowledged Islamophobia refers neither to the religion nor the historical identity but specifically to the far more recent phenomenon — perhaps I may be allowed to say “catastrophe” — of political Islam.) I was to realise that much of the Arab left’s respect for Hezbollah centred on the concept of resistance and, especially, its perceived triumph over a materially superior power, independently of a quasi-commonwealth of incompletely constructed modern states whose majority’s compromised position had rendered it an ineffective rival to “the Zionist entity”.
Reading Sonallah Ibrahim’s last two books, Youssef Rakha suggests an early Wittgenstein-style formulation of the kind of literary problem Bonaparte’s Campaign to Egypt might present
1. An Arab novel can be written about Napoleon Bonaparte’s Egyptian Campaign (1798-1801).
1.1. At first sight, this is perfectly self-evident: a novel in Arabic (or by an Arab writer) can be written about anything at all. But an Egyptian novelist writing about the Egyptian Campaign is, by definition, responding to a particular colonial legacy from the position of the colonised.
1.1.1. Bonaparte’s failed bid to take Egypt and Syria was intended to safeguard French trade in the Middle East and obstruct the British route to India. What it achieved was the discovery of the Rosetta Stone and the 22-volume Description de l’Egypte, as well as bringing the first print press into the country.
1.2. An Arab novel about the Egyptian Campaign is, by definition, a response to both the left-wing idea that the campaign abused Egyptians and the right-wing idea that it propelled Egypt, a nominally Ottoman province ruled by feudal Mamelukes, into the modern age.