THE HONOURABLE CITIZEN MANIFESTO

20 December 2011

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We, honourable citizens of Egypt — pioneers in every field, one hundred million nationalists and three great pyramids — declare our absolute support and inexhaustible gratitude for those valiant and chivalrous soldiers of our own flesh and blood who, with knightly dedication and redoubtable bravery, are making of their own unassailable selves the impregnable garrisons with which to protect not only us, their people, but also our most sacred, most xenophobic patrimony. Before we go on to demonstrate, with indubitable argument, the blindingly obvious fact that it is thanks to the wisdom and righteousness of our faithful Council of the Armed Forces (Sieg Heil!), of whose incorruptible grace the word “supreme” is but the humblest designation, that the people and their oil-smeared holy men of fragrant beards will be saved from a fetid galactic conspiracy to which this country has been subject.

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One flew over the Dhakla oasis

THE NATIONAL

After a few hours, Youssef Rakha writes, the presence of djinns seemed wholly unremarkable

Eight months ago, my London-based Egyptian friend came home to carry out the field-work component of his doctoral thesis, which explores the assumptions involved in treating the mentally ill. All he needed was an isolated, relatively self-contained spot where there was no modern psychiatric care. So, rather than learning a new language on top of everything else (the endless required literature reviews, etc), he decided to return to his home country.

For posterity’s sake I should say I am speaking of Mohammed Abouelleil Rashed: frustrated astronaut turned orthopaedic surgeon-in-training turned disgruntled psychiatrist turned, finally, philosopher and doctoral candidate. Mohammed had always liked the Western Desert. And so, like the old caricature of the Colonialist desperately in search of nutty Natives, he set off from Cairo to research all five of its oases. Eventually he settled on Mut, the capital of Dakhla – according to him “the most baseline”, the most typical and unremarkable of all, and of course without a single psychiatrist to its name. The idea was to live there on and off for six months, researching how the local approaches to madness – exorcism, for example – measured up to the western status quo.

I wanted to fly out to see him, but only return tickets were available, and the flights were a week apart. I couldn’t be away that long. In time I accepted that a 12-hour bus journey was my only option. Which is how my story begins …

Madness is fascinating. But so was Mohammed’s description of Mut – named after the ancient mother goddess, but otherwise devoid of links to ancient Egypt. He described it to me in paradoxical terms: an urban community of subsistence farmers; its people of neither Nile Valley fellahin ancestry nor Bedouin stock. Many of the city’s residents, Mohammed told me, trace their ancestors to Suez, an origin so unexpected it might as well be Mars. Others claim Arabian, even Ottoman descent. They share a distinct lack of interest in the world beyond their little city, along with an encompassing belief in the power of djinns.

I didn’t realise it at the time, but these details must have gone straight to the exoticism antennae on my head. An insular community where the supernatural enjoys a stronger-than-average presence in the collective psyche: my voyeuristic, rationalist neurons were buzzing, informing me of my superiority, readying me for some kind of exotic encounter extraordinaire. By the time I arrived at the newfangled Cairo Land Port, I was feeling slightly guilty. Surely I should be suffering the 12 hours in solidarity with Mohammed, who complained of isolation and boredom every time he called me – not looking forward to indulging in some complicated Orientalism.

I had barely made it to the platform when I noticed a podgy midget in a Mao suit eyeing me with an unsettling mixture of curiosity and contempt. Though I already knew the answer, I walked over and asked him how long it takes to get to Dakhla. After answering non-committally, he launched into a sort of cross-examination: where was I from, where exactly was I going, what for, who with, for how long, why? Finally he stepped abruptly away with forced politeness – only to go on giving me sidelong glances for as long as I remained in his sight.

Over three days at the town’s central cafe – Mohammed’s centre of operations – I saw for myself that it was exactly as he told me: everyone did in fact believe in invisible, fire-based djinns who wander the town speaking Syriac, a dialect of Middle Aramaic that has been extinct for centuries. These djinns, it seemed, could do anything: from snidely controlling your thoughts (paranoid schizophrenia) to shrinking themselves down and lodging themselves in your prostrate (erectile dysfunction). Within a few hours of my first day, I had heard enough about them that their presence felt perfectly ordinary, mundane, unremarkable. It did not strike me as particularly strange that bachelors live in fear of wedding-night impotence caused by a supernatural “knot” commissioned by their enemies, tied by some evil “sheikh” who knows all the fail-proof hexes by heart.

Other, less mystical things perplexed me more. Why did people in Mut, unlike most anyone else in millennial Egypt, love Bollywood films so much? How did they not realise that the childish violence broadcast by World Wrestling Entertainment is all staged? And why did everyone I met apart from Mohammed’s few friends give me the same look I got from the midget in the Mao suit at the bus station? Divine retribution, perhaps: for the three-day duration of my stay, the remote Orientals taught the Cairene Orientalist that they distrusted and despised him more than he could ever mystify or objectify them.

The look trailed me everywhere, from the cigarette kiosk to the town’s sole kebab restaurant, in the dark, empty internet cafe with straw seats so shaky and uncomfortable you could barely sit on them, on sleepy street corners and in bustling corner shops. It identified me as precisely what I was: a westernised Cairene dissatisfied with bland Egyptian food, the discomforts of my filthy one-star hotel, the lack of activities beyond worship and shisha, the absence of women from social space, the hopelessness of culture and art, the insularity – the terrible, terrible ordinariness of life.

In the end only the Asian-looking straw hats on the heads of farmers – utterly unlike anything traditional anywhere in Egypt – struck me as in any way noteworthy. The landscape was no doubt distinct (even in autumn, daytime heat was unbearable), but the streets themselves looked so indistinguishable from a Nile Delta town that whenever I went out for a walk I headed reflexively for the nonexistent corniche. And talking expansively with Mohammed (there was nothing else to do), I came to see just how badly he had been disillusioned as well.

Mohammed hoped that spirit possession might turn out to be a partially viable alternative or supplement to the increasingly prevalent biomedical model of mental illness. Then the “sheikh” who was providing him with information, a Tramadol addict continually using needles on his own arms, came up with a new method of exorcism, one inspired by Mohammed’s modern medical presence: instead of beating his patients up, splashing them with water blessed by the Quran or simply breathing the verses onto their head, he would henceforth write the relevant verses on paper in gazelle’s blood, then soak that paper in tap water, then inject the possessed with the resulting solution.

A handful of madmen roamed the city freely – well fed, muttering about djinns, occasionally solicited for sex. But the truly memorable characters in Mut were the same ones you might encounter anywhere. On my last day, one of Mohammed’s case studies, a lost soul in his mid-fifties, approached our table at the cafe, looking more or less presentable. Everyone invited him to join in for a drink, but he did not oblige. Instead he stood there with a tortured expression on his face. “You want me to sit with you, do you?” he said. “How many cockroaches are you?”

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Not just a river in Egypt

originally written for The National

On the flight back from Cairo to Abu Dhabi, I watched a recent Egyptian comedy about a young man who lives in a tin pitcher.

Not literally – but that is the way he describes himself. Because rather than buying all the unaffordable beverages of which he and his little brother keep dreaming, he fills his vessel – the traditional poor man’s drinking cup – with tap water. Then, holding the wide end carefully to his mouth, he closes his eyes, takes a deep breath and, quaffing, invokes the coveted taste and pretends to relish it.

The scene is a metaphor for the life of the hero, Zaza, played by the comedian Hany Ramzy as a variation on his trademark role: the young Egyptian everyman who, through some implausible accident, ends up brushing shoulders with the powers that be, has irresistible temptations in the process, and ultimately chooses good over evil. Dispossessed but tenaciously contented, almost masochistic in his capacity to embrace misfortune, Zaza , like many real-life Egyptians, resolutely refuses despair. These limitations seem inherent to the Egyptian psyche, and while Egyptians are sufficiently aware of the problem to joke about it, they seldom attempt to transcend it.

One Egyptian legend tells of a poor man who missed meat so much that he bought a loaf of bread and stood by the kebab seller, next to the grill. Before each bite of bread, he would inhale the aroma, filling his lungs with kebab, allowing the flavour to seep into the bread as he chewed it.

It was the next best thing. And it worked (so people will tell you, a wry expression on their faces, barely concealing their bitterness).

But Zaza’s kouz, the aforementioned tin pitcher, takes the idea even further: instead of making any such attempt at approximating the experience of which he has been deprived, the subject stays systematically clear of it. He chooses to depend solely on the power of his mind. So the link between dispossession and contentment begins to seem deliberate.

This disavowal of fulfilment is not confined to the hungry, and in the case of those who don’t lack for food and beverages, we could just as easily illustrate the condition by reference to citizenship rights, financial means or political participation.

The film Zaza is no different from dozens of star-comedian vehicles which, having introduced a good idea in the opening sequence, fail to develop it in any meaningful way. Though the hapless young man goes on to run for president in a wildly doctored election, winning voters’ hearts by speaking truly as one of the people, his preference for passivity – the tendency to favour the kouz over the struggle to obtain mango juice – is nevertheless depicted entirely as a consequence of his poverty.

No action or reaction gets to the bottom of the pitcher, where dishonesty and inertia have been brewing for centuries to deliver a debilitating draught. So it was ironic that I should watch Zaza on the way back from my first visit to Egypt in six months, with an overdose of that potion still coursing through my veins.

Homecomings are always difficult, but this one was particularly unsettling; for the first time I saw Egypt with a clarity I can only describe as disturbing.

After a week of driving through the streets and catching up with friends, reading the newspapers and debating regional affairs, settling legal matters and spending time in cafes, offices and the houses of relations, I spent a day at my former workplace. And that was enough to convince me that the country’s inviolable problems, which I saw anew at every step, in every possible form, were not merely the result of either unfortunate circumstances or moral and material corruption. They had Zaza’s kouz written all over them.

It was not so much the palpable dilapidation of the place, its broken machinery and cracking furniture, nor the idle atmosphere, the absence of so many employees in the middle of the day, nor the profusion of evidence that the quality of the work being produced was irrevocably in decline.

What struck me far more than any of these things was the sense of utter complacency with which the concerned parties accepted them, together with the realisation that, were I still among them, I too would be complacent. Knowing in my heart that there was little to be done, I would whip up the kouz in which the office appeared, magically, as a perpetually busy and adequately equipped workplace. (“As busy and as adequately as one could reasonably expect!” I would have reassured myself, adding: “under the circumstances”). And quaffing, I would do what I had to do, for as long as I had to do it, feeling inefficient, disengaged and worst of all, content – as content as Zaza.

Evidently, all it takes to appreciate kouz theory is six months away. Then the fragile scaffolding holding together the fiction of an alternative to advanced capitalism suddenly collapses. You understand that dispossession, contentment, dishonesty, inertia, Zaza’s tin pitcher and the inviolable problems of Egypt – once seen as the inconvenient side effects of a beloved and particular Egyptian uniqueness – all come back to the kouz.

The secret thread that weaves the fabric of society, the alpha and the omega of present-day Egyptianness, that is what they are about: denial.

Even now it is hard to understand how Zaza could put up with this situation, but once you consider the power of denial – over and above intellectual weakness, moral flaccidity, general laziness and openness to dependency at every level – the process makes perfect sense. It also becomes clear, sadly, why there is no way out of the Egypt’s current political and economic dilemmas. The nation of Zazas is happily ensconced in their kouzes.

This cold reality became painfully clear only a few hours before I departed. One of my former colleagues, an intellectual and former left-wing activist, had devoted her life until age 45 to opposing the regime. At that point she began her present job, a move not without some considerable compromise, as my former workplace is a department of that regime.

When I saw her at the office, she explained that while she had just been offered a desirable job in the private sector, she had refused.

She had refused, in spite of her dissatisfaction with the present situation, in spite of the sizeable pay raise.

Why? She had rejected the job offer, she said, because she had moral integrity. She was too old to compromise her clear oppositional record now. After all, she explained, invoking a Nasserist paradigm that can only turn your stomach if you are Egyptian, she was working for the country – the same country on whose behalf she opposed the regime. That working for the country necessarily entailed working for that same regime seemed not to trouble her conscience.

Never mind that the government was systematically selling out to the private sector, never mind that it was infinitely more corrupt and inefficient than any private-sector company. Never mind that the prejudice against the private sector had emerged in part because of the profitable alliance its leaders forged with the government.

No, my colleague would not compromise her integrity.

Towards the end of the flight to Abu Dhabi I fell asleep and had a dream. In it Zaza appeared in my colleague’s office holding his kouz. She was lying back in her chair sipping hot chocolate and exclaiming in praise of the cocoa that went into it. He was telling her that the cocoa he had in his kouz tasted even better.

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