On Fiction and the Caliphate
Towards the end of 2009, I completed my first novel, whose theme is contemporary Muslim identity in Egypt and, by fantastical extension, the vision of a possible khilafa or caliphate. I was searching for both an alternative to nationhood and a positive perspective on religious identity as a form of civilisation compatible with the post-Enlightenment world. The closest historical equivalent I could come up with, aside from Muhammad Ali Pasha’s abortive attempt at Ottoman-style Arab empire (which never claimed to be a caliphate as such), was the original model, starting from the reign of Sultan-Caliph Mahmoud II in 1808. I was searching for Islam as a post-, not pre-nationalist political identity, and the caliphate as an alternative to thepostcolonial republic, with Mahmoud and his sons’ heterodox approach to the Sublime State and their pan-Ottoman modernising efforts forming the basis of that conception. Such modernism seemed utterly unlike the racist, missionary madness of European empire. It was, alas, too little too late.
Our intrepid explorer Youssef Rakha heads to the mall in the footsteps of ibn Battuta.
The journalist Abu Said ibn Rakha recounted as follows:
My trip from Abu Dhabi to Dubai took place at a later hour than planned on Monday, the 22nd of the month of Dhul Qi’dah, in this, the 1429th year after the blessed Hijrah. My object was to roam inside the Emirates’ newfangled monument to my venerable sheikh of Tangier – honest judge of the Maliki school of Sunni jurisprudence, associate of Temur the Tatar and Orhan the Ottoman, and divinely gifted savant of his day – Shamsuddin Abu Abdalla ibn Battuta. He is the author of the unsurpassed Rihla (you may know it as The Travels of ibn Battuta), the glorious account of his three decades’ Journey around the world, dazzling pearl on the bed of our literary sea, which he dictated before he died in 770 or 779 and whose style I now humbly emulate.
Since 25 Jan we have had, in addition to the Islamist and official media, Al Fara’een: a satellite political-commentary channel of such irrational and duplicitous orientation I believe it is worse for the health of the average Egyptian than cholesterol. (By the average Egyptian, I mean the relatively sane, minimally rational follower of the news — including those who, out of fear or despair, might actually be opposed to the revolution.)
The Egyptian writers who rose to prominence in the 1960s cast a long shadow over decades of Arabic fiction. Youssef Rakha considers the vexed legacy of a generation.
Hunger: A Modern Arabic Novel
Mohamed el Bisatie, translated by Denys Johnson-Davies
American University in Cairo Press
In July 2007, I met the novelist Gamal al Ghitani in Cairo to discuss the Egyptian State Merit Award, which he had just received (too late, he felt). We agreed that the group of writers known in Egypt as the Generation of the Sixties – a politically engaged, predominantly working-class group of poetically-inclined writers who made their names in the late 1960s and early 1970s – remain the principle reference point for much contemporary Arabic literature. Al Ghitani said that the Sixties’ achievement comprises only two kinds of writing. “One draws on the news and other immediate manifestations of history to take realism to its logical conclusion; it is represented by Sonallah Ibrahim. The other, which is inspired by old books and uses the old storytelling to comment on the present, is my own.”
The bus is more than half empty when I get on…
An old woman in black scuttles down the aisle to my right; before I’ve had a chance to see her face, two glossy pamphlets are in my lap. They are manuals of prescribed supplications, precisely classified by subject, object, even time of day. I’ve seen them too often to maintain an anthropological interest. Looking out the window to my left, I slip the pocket-size compendia into the pouch on the back of the seat in front of me, where someone better disposed could pick them up. I manage to extract some change from my shirt pocket just in time for the dark-robed ghost scuttling back to pick up on her way; the briefest glimpse reveals unusually personable features.
Already we are moving… But if so few passengers are headed for the North Sinai resort town of Arish, why was it so hard to obtain a ticket last night?
After a few hours, Youssef Rakha writes, the presence of djinns seemed wholly unremarkable
Eight months ago, my London-based Egyptian friend came home to carry out the field-work component of his doctoral thesis, which explores the assumptions involved in treating the mentally ill. All he needed was an isolated, relatively self-contained spot where there was no modern psychiatric care. So, rather than learning a new language on top of everything else (the endless required literature reviews, etc), he decided to return to his home country.
Iman Mersal, These Are Not Oranges, My Love: Selected Poems, translated by Khaled Mattawa, Riverdale-on-Hudson, New York: The Sheep Meadow Press, 2008
The wall is further than it needs to be
and there is nothing to support me.
An ordinary fall
and bumping into edges
that change places in the dark…
How could I let myself
be so lonely before thirty? (A Dark Alley Suitable for Dance Lessons, 1995)