Electronic Poetics by Bruce Andrews
Going electronic. Radical or so-called innovative literary writing faces (& that means faces up to) the facts of life in the digital age. If you have been committed to foregrounding the processes by which language works, to the unsettling & detonation of an established medium — what then? How simpatico is this potential cyberworld as a staging area & as a reading environment? 1 Raw material: if you use language in its ‘unfinished’ (less thoroughly socialized) state or at a molecular level, the project lends itself to the jammed, disjunctive situations of the screen with its striking dispersions or overlaps. Densities of significance can become visibly spatial, programmatically animated or varying or self-mistranslating.