Killed: Postcards from Palestine by Carol Sansour

.

Killed by the silence 
Killed by the lies 
Killed waiting 
Killed wanting 
Killed fighting 
Killed negotiating 
Killed hungry 
Killed cold 
Killed lonely 
Killed in a group 
Killed in the light 
Killed in the dark 
Killed standing 
Killed sleeping 
Killed thinking
Killed dreaming 
Killed by the killer and the viewer and the god 

The World According to Mohammed Abouelleil: Selected Photos

Roma, February 2015 ● روما، فبراير ٢٠١٥

.

Continue Reading

Everybody’s Little Everyday: Eight Pictures by Maria Colombo

“A man going quietly about his business all day long expends far more muscular energy than an athlete who lifts a huge weight once a day. This has been proved physiologically, and so the social sum total of everybody’s little everyday efforts, especially when added together, doubtless releases far more energy into the world than do rare heroic feats. This total even makes the single heroic feat look positively minuscule, like a grain of sand on a mountaintop with a megalomaniac sense of its own importance.”

R. Musil, The Man Without Qualities

.

 

Maria Colombo is on Instagram and Tumblr

Always a Place for the Still Frame: David Degner on Practice, Vision, and the Future of Photojournalism

David Degner is a Cairo-based freelance photographer represented by Getty Reportage and the
co-editor of the Egyptian photo story magazine, Panorama by Mada Masr

.

.

In an age when video journalism is increasinly paramount and printing is arguably no longer necessary, how do you feel the still image is still pertinent to documentary or news work?

Video journalism serves its purpose and is growing as it is easier to create and distribute, but photos haven’t lost their power in this new environment. A single strong image can be viewed and summarize a situation in seconds. In our fast paced world there will always be a place for the still frame.

Do you think documentary and art photography are important for the development of photo journalism? Is there enough of that going on in Egypt (with the Cairo Image Collective, for example) to create a photographic culture?

As a photojournalist I often steal style from art and commercial photography.  We must be aware of their modern visual language in our work to stay relevant and interesting.  But even though the internet has broken down barriers it can be impossible to find many documentary or art photo books in Cairo.  While in the west you can pick up a thick fashion magazine at almost any store and get inspired by the commercial portraiture it takes conscious effort for photographers to suss out inspiration in Egypt.

Continue Reading

No more posts.